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George Gershwin Captures the Sounds of Paris
Explore the inspiration and creation of George Gershwin's symphonic poem, An American in Paris, its initial reception, and its enduring popularity in music and film.
Erik Satie’s Gymnopédies: A Composer Ahead of His Time
Explore the life of Erik Satie, an influential yet overlooked French composer, known for his eccentric lifestyle and pioneering minimalist music, rediscovered in the 1960s.
The Classical Music You Heard at the 2024 Olympic Opening Ceremony
The 2024 Paris Olympics got off to a spectacular start with the Opening Ceremony, featuring the sights and sounds of French national treasures, from the Seine and the Eiffel Tower to the country’s rich heritage of classical music. Here are some of the selections played during the Opening Ceremony.
“An Entirely New World of Sound…”
Pianist Hershey Felder returns to TheatreWorks Silicon Valley with 'A Paris Love Story', exploring the music and life of composer Claude Debussy.
Celebrate The Fourth With Gershwin and Dianne's Favorite Side Dish
Dianne's All American Potato Salad
How the 1812 Overture Became Music for the Fourth of July
Explore the history of Tchaikovsky's 1812 Overture's popularity in 4th of July celebrations, its association with fireworks, and its original context in this insightful blog.
The Many Lives of the “The Flower Duet”
Explore the Flower Duet from Delibes' opera Lakme. Discover its use in TV, film, and creative remixes.
Open Ears: Eva Jessye and the Harlem Renaissance
This article explores the life of Eva Jessye, a key figure in American music and the Harlem Renaissance, who made significant contributions to civil rights and classical music.
The Secret Story Behind Tchaikovsky’s Mysterious Celesta in “The Nutcracker”
Explore the history of the celesta, a unique instrument used in Tchaikovsky's The Nutcracker and Harry Potter's theme. Discover how it went from obscurity to symphony staple.
The Story Behind “Appalachian Spring,” the Ballet
Explore the history of Appalachian Spring, a ballet commissioned by Elizabeth Sprague Coolidge, composed by Aaron Copland, and choreographed by Martha Graham.
