articles / Film/TV
A DIY Spooky Film Festival for Classical Fans
Jaws
It’s of the most iconic creepy soundtracks of all time — though Jennifer Miller says, “I never really thought the film Jaws was scary . . . until I sat on a beach in the dark of night watching the classic Steven Spielberg film on a big screen. The incredibly tense score from John Williams combined with Spielberg’s powerful filmmaking and the crashing of the nearby waves made for an evening I will never forget. It also convinced me I never needed to go shark cage diving.”
Psycho
Hitchcock himself said, “33% of the effect of Psycho was due to the music.” Bernard Hermann’s tense score keeps you on the edge of your seat throughout the whole movie. Although, his iconic violins might make you fall right out of it when it gets to the “shower scene.”
Black Swan
I don’t know if Tchaikovsky was a horror fan, but his music from Swan Lake makes an ideal backdrop for this balletic tale of obsession (or checking yourself for feathers).
Candyman (1992)
While a critically-acclaimed remake did debut this year, there are plenty classical sweets for the sweet in this 1992 Philip Glass scored cult-classic about a skeptical grad student investigating a mythical (or maybe not) boogeyman in a Chicago housing project.
28 Days Later
How’s it going 28 days after the zombie apocalypse? Not great! The infected may consider Fauré nothing more than a snack, but human viewers will spot the In Paradisum from his Requiem in the soundtrack. Bonus for classical fans: a modern take on Ave Maria.
Silence of the Lambs
Don’t let one little psychopathic cannibal’s love of the Goldberg Variations (or fava beans) ruin them for you. Bach’s compositions are great dinner music even if you aren’t “having a friend for dinner”.
The Talented Mr. Ripley
Low on the gore, but not on the creeps, this psychological thriller about a smooth-talker who assumes his new friend’s identity is chock full of classical music – there are selections from Bach’s Italian Concerto and St. Matthew Passion, Beethoven’s Piano Quintet, Tchaikovsky’s Eugene Onegin, and Vivaldi’s Stabat Mater.
The Hunger
If you like your vampire movies with a side of glam, click on over to The Hunger where Catherine Deneuve and David Bowie are as irresistible as they are blood-thirsty. As they live their best un-dead lives, enjoy the creepy side of Delibes’s Flower Duet, and Bach’s Violin Partita No. 3.
The Shining
Heeeeeeeere’s Bartok! Or rather, here’s his music for strings, percussion and celesta nestled into the tale of a winter gig that’s too-good-to-be-true for a writer who beats his writer’s block by going insane (and nearly takes his family down with him).
Shutter Island
After a woman vanishes from a locked room in an asylum on an island, Teddy Daniels (Leonardo DiCaprio) and his new partner (Mark Ruffalo) piece together the clues. Are they on to something? Or are they off their rockers? Enjoy music by John Cage and Mahler as you find out.
Bonus: Fantasia – The Sorcerer’s Apprentice
If you want to ease into spooky season—or introduce a child to a great piece of classical music—I recommend revisiting Fantasia. Paul Dukas’ magical music will have you tapping your toes and Mickey’s misadventure in his sparkling star hat is a classic for a reason.
